Monday, December 29, 2008

Nailing Palm Mute Guitar in Metal

Whether it be death, black, thrash or alternative, heavy metal and the palm mute guitar technique go hand in hand to creating that rhythmic brutality we relish.


by: Mike Beatham

Whether it be death, black, thrash or alternative, heavy metal and the palm mute guitar technique go hand in hand to creating that rhythmic brutality we relish.

In metal music, the rhythm guitarist has a role to play in shaping the melody and the percussive aspects. Palm muting specifically in metal is about exploiting percussive qualities of the guitar under high gain and heavy distortion.

==The Basics of Palm Mute Tone==

The first thing to note is that you don't actually use the "palm" of your hand when palm muting (well, almost) - rather the meaty part of the edge of your hand below your pinky finger. When placed over the strings just in front of the bridge of your guitar and you strike the strings as usual, you get that muted punch.

The further your "palm" is positioned toward the neck, away from the bridge, the more percussive and less defined whatever note or chord you're playing will sound. If you're a fan of Meshuggah, you'll know they have a very distinct and dry palm mute sound which is created by palm muting further away from the bridge towards the guitar neck.

So first thing would be to establish the position of your "palm" based on the sound you're after.

==Different Styles of Palm Muting==

With all palm muting techniques it's important to keep your picking hand as stationary as possible, using it only as a pivoting point over the muted area. What I do, to ensure all 6 strings are muted (if you need all 6) is get the meaty hand edge in position as usual but also lay out my pinky finger just about parallel to the bridge. This ensures the meaty part of your hand is stretched out over as much of the stringed area as possible.

- The downstroke is the most commonly used palm mute technique in rock, punk and metal. It simply involves getting your "palm" in position and then downpicking as usual in quick, sharp stabs. Picking in this way will enhance the punch of the bass and the cut of the treble through your guitar's EQ settings.

- Constant Alternate picking is where you add an upstroke to the strumming pattern - up/down/up/down/etc. in a constant rhythmic motion. Players use this to effectively double the speed of the riff, where using only downstrokes would prove too much for the average person's endurance. Whilst palm muting, this creates a violent percussive effect. The more violent and wide your picking strokes, the more violent the sound.

- Machine gunning is a technique used excessively in thrash and death metal. Probably the most famous and satisfying use of it is in Metallica's One amidst the lyric "Darkness imprisoning me...". It usually involves rhythmic bursts of 3 strokes (up/down/up - up/down/up etc.) or 5 strokes (up/down/up/down/up - up/down/up/down/up etc.) played very quick and mixed with regular downstrokes and unmuted interruptions. Precision and an excellent sense of rhythm and timing is needed. Starting slow with a metronome and gradually building up your speed is the best way to accomplish the speed of metal's best rhythm guitarists.

==Using palm mute guitar playing dynamically==

Mixing palm muted phrases with occasional injections of unmuted phrases is what adds depth to rhythm guitar playing.

e.g.

P= palm muted chord/diad
U= unmuted chord/diad

P-----P-----P-----P------U-------P------U---U------P-----P-----P-----P------U-------P------U----U-

And of course, palm muting compliments the drums, so you can work with the bass drum or against it. Often, metal guitarists will "machine gun" in sync with double-bass drumming to emphasise the thunderous charge.

The best thing to do (and you probably do this anyway if you're a metal head) is listen to as many different genres of metal you can stay awake to. Death metal, for example, uses different dynamics to hardcore. Experiment and learn to utilise the chinese water torture of a metronome (even better, a drum machine or backing tracks).

Happy thrashing!


About The Author

Mike Beatham

For some in depth lessons with audio examples and exercises in rhythmic palm muting and more, see the heavy metal guitar lessons section on Mike's website - visit http://www.audio-guitar-lessons.com/metal-guitar-lessons.html




Sunday, December 28, 2008

Recording The Guitar to a Computer

You want to record your guitar, make your own riffs, music, etc. You want to plug my guitar into my computer? How to connect the guitar to the computer the right and best way? What software?

by: Brian Murphy

You want to record your guitar, make your own riffs, music, etc. You want to plug my guitar into my computer? How to connect the guitar to the computer the right and best way? What software? Which audio interface? What about my favorites guitar effects? What computer? Where to start? It can be overwhelming.

The recording guitarist's computer setup should be something like this:

* Guitar (*GTR with 13 pin connection recommended) * Microphone for recording Acoustic guitar, vocals etc. * Quality guitar cable * Audio Interface-Firewire (recommended) or USB * Guitar/midi interface * USB/Firewire cables * Computer (Mac recommended or PC) * Extra external/internal Hard Drive (recommended) * Audio recording/sequencer software * Plug-ins: effects- reverb, compressor, delay, chorus, etc o Dedicated guitar effects/amp simulation o Sampler/synths (for 13 pin guitarists or guitarist who can play keyboards) * Quality cables to speakers * Powered Speakers * Headphones (so you do not disturb the wife an kids at those late weekend sessions).

Some recording setups:

-Setting up your whole live rig and putting a microphone in front of the your cabinet, playing at loud volumes so you get the amp to sound right, push the speaker enough, putting your speaker in a closet, using a blanket to damping volume, etc. -You could use a load on you speaker and record direct.

-Use a preamp that is compensated for direct recording as the front end. You can plug this into outboard effects or add plug-ins

-You could record from your pedal board or any outboard multi-effects you might own. You probably end up with a direct type sound. Some multi-effects have amp simulation that might take the edge off the direct sound.

With any of these scenarios you are committing yourself to the recorded track. If you record with effects, you can't change it later. You would have to re-record! And if you do not re-record on the same day or you have to come back and have to set up the rig again, hopefully the knobs setting were written down, place the speaker in the same place etc, etc.... If you get into the recording other instruments or mixing the song and you want to change the guitar sound, tone, effects, etc, -- you have to re-record!

With a guitar with a 13 pin connection, either internally or a pickup installed on the body, you get 100% use of your software. You can record your guitar sound and get access to any software synths or samplers that come with the software or as a plug-in add-on.

With a software computer base system, you can change almost everything after you have recorded--amps, effects, mics, mic placement and more. You do this with plug-ins. You can save all your presets, sounds, etc. You could have multi-guitar tracks with different settings all from recording one track. The flexibility is there! Yes, there are purists out there- "software can't sound like tubes". Well, the software is getting pretty close!!!!

There is a lot of software out there. You do not have to spend a lot of money AND it is always improving. You buy a box. (i.e.hard disk recorders, and others mentioned above), you have bought a box. You usually can't upgrade without buying a new box.

People use computers every day at work or home- Microsoft Office (Word, Excel Power Point, etc) Email, Internet. Use it to record your guitar and music!!

Hopefully, this helps and you can check out more at http://www.guitarhelper.net

Brian has 18 years experience in the Music Industry.

He can be contacted at Brian@guitarhelper.net.


About The Author

Brian Murphy

18 years Music industry experience guitar player for over 30 years





Ten Easy Rock Songs For Guitar Beginners

When I started playing guitar, nobody taught me how to do it. It wasn’t easy at first. My fretting hand's fingertips were so painful that I couldn’t touch anything for days! But once I got the hang of it, I discovered it was one of the most enjoyable things I’ve ever done

by: Eric Monsanto


When I started playing guitar, nobody taught me how to do it. It wasn’t easy at first. My fretting hand's fingertips were so painful that I couldn’t touch anything for days! But once I got the hang of it, I discovered it was one of the most enjoyable things I’ve ever done. Over the years I would look back at those times and smile thinking how my life was changed the moment I picked up the guitar. It was actually my big sister’s guitar. However it turned out that I was more inclined to it that she was. She eventually turned over all the guitar playing duties to me.

I thought of making a random list of easy guitar songs that beginners might want to try playing, just to get things started. It will cover different genres but the objective is to improve playing, one song at a time. These are the criteria I’ve used for the selection of the songs:

a) Minimal number of chords –the less chords in a song, the easier it is to remember how to play it.

b) Minimal barre chords – barre chords require us to use our fretting hand’s index finger to press all 6 strings in a particular fret. Less barre chords is better for beginners.

c) Familiarity of the song – the songs are some of the most popular during their times.

And since we’re talking about beginner songs here, the primary goal of this list is to give novice players some songs to STRUM the guitar along with. No point in doing any complicated stuff yet. We have to first establish the rhythm within the player. So here it goes, in no particular order:

1. “Horse With No Name” – America
Chords: Em, F#m7sus

2. “Leaving On A Jet Plane” – John Denver
Chords: G, C, D

3. ”No Rain” – Blind Melon
Chords: E, D, A, G

4. “Every Rose Has It’s Thorns” – Poison
Chords: G, C, D, Em

5. “Knockin’ On Heaven’s Door” – Bob Dylan/ Guns N’ Roses
Chords: G, C, D, Am

6. “One” – U2
Chords: Am, D7, FM7, G

7. “Four Strong Winds” – Neil Young
Chords: C, Dm, G, F

8. “I Remember You” – Skid Row
Chords: G, C, D, Am, Em

9. “Come As You Are” - Nirvana
Chords: Em, D, G, Am, C

10. “Wonderful Tonight” – Eric Clapton
Chords: G, D, C, Em, Am

Finger placement:
C (x-3-2-0-1-0)
D (x-x-0-2-3-2)
D7 (x-x-0-2-1-2)
E (0-2-2-1-0-0)
Em (0-2-2-0-0-0)
A (x-0-2-2-2-0)
Am (x-0-2-2-1-0)
F (x-x-3-2-1-1)
FM7 (x-x-3-2-1-0)
F#m7sus (2-0-0-2-0-0)
G (3-2-0-0-0-3)

Legend:
D (x-x-0-2-3-2)

D - the chord name
x - E string will not be struck
x - A string will not be struck
0 - D string open
2 - Press G string on 2nd fret
3 - Press B string on 3rd fret
2 - Press e string on 2nd fret

There you go! Most of the songs have similar chords. That way, if we can recall chords from another some and incorporate that chord into another song then you get to practice applied knowledge. Ain't that grand!

Happy practicing!


About The Author

Eric Monsanto is a freelance writer. He keeps his writings in his blogsite http://monsaint.blogspot.com.




Saturday, December 06, 2008

Ibanez RG350DX Electric Guitar


The Ibanez RG350DX features the ultra-fast Wizard II neck and Ibanez IBZ INF Infinity series pickups for the hottest sound and fastest playability in its price range

Product Detail


The Ibanez RG350DX features the ultra-fast Wizard II neck and Ibanez IBZ INF Infinity series pickups for the hottest sound and fastest playability in its price range. The RG350DX has a 3-piece maple neck, a bound rosewood fretboard (for warm, smooth tone and good pick attack) with 24 jumbo frets, a basswood body, and black hardware. The RG350DX's stable Ibanez Edge III tremolo bridge compares to many of the more expensive Ibanez models. The RG350DX offers all of this at an incredible price.

Ibanez Edge III Tremolo Bridge
the new Edge III is similar in construction and feel to the original, popular Ibanez Edge locking trem, however this version also features lower profile fine-tuners inspired by the lo-PRO Edge and massive, new-design saddles.

Series Features:
For over 15 years, the undisputed standard in guitars for the hard rock player.

Pickups and pickup placement provide the hard-edged cutting tone needed for heavy rock.

24 fret thin, flat and fast Wizard and Wizard II necks. Rounder Ultra necks available on RGT3120 neck-thru-body models.

Have you seen the headlines? "Guitar rock is back."
Ibanez is happy to hear it. Except at Ibanez, guitar rock never "left" - and if you're the type of player who reads Ibanez catalogs, you've been too busy playing guitar or bass to worry a whole lot about the media's take on music. However, the papers are right about one thing: there are more new guitar and bass guitar styles than ever before. That's why there are more different kinds of guitars and basses in the 2003 Ibanez line up.
Technical Info
* Wizard II neck

* Neck Material: 3-piece maple

* Body: Basswood

* 24 Jumbo frets

* Bound Rosewood Fingerboard

* Edge III tremolo bridge

* Neck Pickup: IBZ INF3 (Humbucker)

* Middle Pickup: IBZ INFS3 (Single Coil)

* Bridge Pickup: IBZ INF4 (Humbucker)

* Sharktooth Inlay

* Hardware Color: Black